I promised last week to pick up where I left off… so, where was I? Oh yes, hump day.

WEDNESDAY
Wednesday has become an incredibly strong night for comedy. Modern Family is easily one of the funniest shows on TV, and is arguably the funniest show since Arrested Development went off the air. Up All Night is definitely a great show, especially one for new parents. And Happy Endings is more than just a showcase of super-hottie Kim Bauer, aka Elisha Cuthbert – it’s another really well-scripted sitcom.

And, of course, let’s not forget South Park, which had another stellar season, even though I was a little let down with their take on the Occupy movement, which really had nothing to do with the protests at all. Still, the way they came back from the incredibly depressing “You’re Getting Old” was brilliant.

THURSDAY
The Office has survived without Michael Scott. Is the show as funny as it was many years ago? No. But then, the same thing could be said for the past few years when Steve Carell was still on the show. It may not have as many laugh-out-loud moments as it once did, but it’s still one of the funnier shows out there. And Community has just continued it’s brilliance this season. I mean, wow. If you’re not watching this show, you really should be. If, of course, it comes back in the spring. There’s a chance that the show’s hilarious Christmas episode (which did a spot-on parody of Glee) could be the series’ last. If Community is canceled, after Whitney got a full season order, then NBC is in worse shape than anyone could have possibly imagined.

And let’s not forget the triumphant return of Beavis and Butt-head. The show hasn’t aged at all in the 14 years since it’s last been on the air, and it turns out, that’s a good thing. The humor is exactly the same – infantile. Beavis and Butt-head have the same level of intelligence – none. The biggest change is that now they don’t simply make fun of music videos, they also rip apart other MTV shows – mostly Jersey Shore. Personally, I like it better when they go off on people besides Snooki and co., who are after all pretty easy targets. (And secretly I wish they’d mock one of my episodes of Made, though I’m sure the odds are definitely against that.)

FRIDAY
Fringe is a whole new show this year, with the final events of last season creating an entirely new timeline in both universes. (If you don’t watch the show, that sentence must have been entirely confusing.) I have no idea where they’re going with this “where does Peter fit in” arc – can he get back to his old timeline, or is he stuck in this new one he’s created? But I guess that’s’ the cool thing about Fringe, it keeps you guessing, and you’re never going to be able to figure it out…nor do you want to.

I’ve said it before and I’ll say it again: Star Wars: The Clone Wars is phenomenal television, and is way too political and smart to be written off as a simple “kids show,” though it can function as both at the same time. Just watch the brilliantly subversive “Nomad Droids” episode. The stories are dark, the violence is brutal, and the analogies to our modern-day political landscape come at you fast and furious, and the line between good and evil can be crystal clear in one episode, and awfully murky the next.

Then there’s the Onion News Network, which is political and social satire at its finest. If you have IFC, you should really be watching this show. It’s got the same sensibility of The Onion, but you don’t have to read! Although you should read all of the text that’s on the bottom of the screen (we in the biz call those “chyrons”), because those tend to be pretty damn funny, too.

SATURDAY
Saturday Night Live is another show I have a conflicted relationship with. There are sketches and entire episodes that are positively brilliant and consistently hysterical. Then there are the hosts and the individual skits that don’t make me smile, let alone laugh. At all. But I keep watching, namely because the great moments make suffering through the duds worth it. Of the recent batch of episodes, I felt Ben Stiller and Anna Farris were disappointing, Steve Buscemi was underused, Katy Perry did nothing for me, Emma Stone and Melissa McCarthy were great, Jimmy Fallon’s impressions were spot-on as usual, and Jason Segel’s monologue with the Muppets was one of the show’s best in a long, long time.

In conclusion… I watch too much damn TV… and I’m proud of it!

If 80’s music is so great (and we all know that it is), why aren’t they making any more of it? Good news – The Cars did just that, and they did it very well.

I can’t offer any reason as to why this may be, but I’ve noticed lately that cars that have the new, hideous yellow New York state license plates seem to be especially bad drivers.  So be on the lookout.

There may be another Austin Powers movie – because that’s what the world needs now – another awful and unnecessary four-quel.

I’ve been wondering lately if James Spader will have a “That’s What She Said”-esque catchphrase this season on The Office.  His character’s name is Robert California, so maybe it could be something that plays off of that.  Like, “I’m the Californicator, baby.”  Or maybe something more company-specific, like “It’s Sabre for your paper.”  Or he could always just go with a new twist on an old classic.

catch phras eon the ofice – LA LAw – got it in SPADES

It’s been a while since I weighed in on my thoughts on TV’s finest programming, so without further ado (or Apu, if you prefer), here are some quick thoughts on the current season through the halfway point. Beware of spoilers.

The Simpsons – Still funny after all these years, The Simpsons continues to be funny, occasionally touching, and culturally relevant. (Their triumvirate of jabs at Fox News got some positive and negative coverage.) I’m not sure about how I feel about their pretty racy Katy Perry gag, not because it wasn’t funny, but because it seemed like the kind of thing that would have felt more at home on Family Guy. And speaking of…

Family Guy, The Cleveland Show, and American Dad! – I lump these three shows together because they are pretty similar in tone, though I do stand by my assertion that of the three, the funniest and best written remains the under-appreciated American Dad! Cleveland has its moments, but it still feels like a Family Guy clone (as did American Dad before it found its own footing). And Family Guy has been pretty inconsistent – the murder mystery premiere was pretty lame, but the recent Christmas show had some good moments. Which proves that they CAN tell a story well, if and when they choose to actually do so.

Boardwalk Empire – Does it feel pretty similar to The Sopranos? Sure. But was it pretty damn entertaining anyway? Yup. There is plenty of gratuitous violence and nudity, but the characters and stories are really well fleshed out. And though I wasn’t totally sure about buying Buscemi in a lead role, his supporting cast goes a long way at making the world seem real.

How I Met Your Mother – HIMYM is still making funny observations about life in clever ways, like the “Where’s the poop?” bit and “The Mermaid Theory.” And while I do wish that Ted would actually start to come close to maybe perhaps finding the damn Mother already, the show’s use of flashbacks and flashforwards are still used to great effect. My main complaint with this season so far is the Zoey storyline – I’m just not feeling it. We know she’s not the Mother, so it feels like the show is just spinning its wheels.

The Event – Look, I’d love for TV to have another Lost-esque show on the air. But you can’t force a square peg into a round hole, and despite starting off promising, The Event got really lame really fast. Too bad.

Parenthood – Why aren’t more people watching this show? And why does it so frequently got pre-empted by The Biggest Loser? Parenthood is an amazingly well-written and well-acted show, with a realistic depiction of family life. Check it out! It’s honestly a lot better quality than…

Glee – Sure, I love the music. But this season it just seems like the writers are trying to shoehorn as many songs as possible into every show. I get it – iTunes downloads are what makes the show profitable, but when there are 7 songs and no story, the show suffers. And for every interesting storyline – like Kurt being bullied – there are many more retreads – Emma breaks Will’s heart by getting married, Rachel and Finn fight, Sue turns evil then good then evil again.

South Park – SP had a strong fall season, with the Jersey Shore spoof and Randy’s obsession with Food Network being standouts. The Coon arc could have been a two-parter instead of a trilogy, but the payoff at the end made it all worth it. Mint Berry Crunch!

30 Rock – Still brilliant. Tracy still gets a never-ending stream of hysterical and quotable lines. The humor works on every level, and the meta stuff never crosses the line of being “too meta,” if that makes sense.

The Office – Also going strong in Michael Scott’s final season. I have to say that after each episode I become more and more convinced that the honorable thing to do is to end the series on a high note with his departure, but the odds of that happening seem slim.

Community – Another under-rated show that is very funny. Their parodies are always spot-on, and the show seems to be embracing the whole cast now instead of being focused primarily on Jeff and Britta. Although it does seem that every episode has a theme about what great friends all of our characters are.

Fringe – Damn this show is amazing. The whole Olivia/Fauxlivia storyline played out beautifully over the first half of the season, and the upcoming battle between the two universes looks very promising. I personally don’t mind that the show is being moved to the “death slot” of Friday nights since we DVR everything anyway, but at least the new promos show that the producers are willign to make light of their new night.

Star Wars: The Clone Wars – This has to be some of, if not the, best political commentary around today. These are war stories, but they also focus on corruption, greed, and the behind the scenes machinations of the military-industrial complex. Heavy stuff for a kids show on the Cartoon Network, right? Well, there are plenty of fights and lightsaber battles, too, for good measure. And even though the last few episodes have been Galactic Senate-heavy, the second half of the season looks to heavily feature action – and Darth Maul’s brother!

Smallville – You gotta give it to the team behind Smallville – they are doing all they can to make this season memorable. Storylines are moving at a furious pace, and the Lois-Clark relationship has never been so fascinating, and as much as I loved Lana, her romance with Clark pales in comparison. Having less main characters has given the show much more focus, although I do miss Chloe. And it’s been nice seeing some old familiar faces, with the appearance of Lionel Luthor particularly well done. (Although I have to wonder why Earth-2’s Clark is named Clark also – the Kents named their adopted son after Martha’s maiden name, so it seems strange that Lionel would pick the same first name. Whatever.) I’m looking forward to more guest stars in the second half, as well as seeing more of Darkseid and his minions. The show has a nasty record of flubbing season finales, but I will hold out hope that it can nail the series finale.

The Eighties
A decade of amazing pop culture milestones, sitcoms in the 1980’s knew how to do a theme song. The crème de la crème:

Perfect Strangers – the greatest TV show ever about a guy named Balki and his cousin.

Family Ties – the “sha-la-la” at the end is legendary,

Who’s the Boss – “the choice is up to you, my friend” – how inspirational!

The Dukes of Hazzard – technically the show began in the 70’s, but come on, this is a classic.

The Greatest American Hero – I never watched a single episode of this show, but what a song!

The CW
Sure, most of the shows on the WB/UPN/CW are aimed at teeny boppers, but there have been some gems – gems with killer theme songs no less.

Veronica Mars – The Dandy Warhols brought it with their theme song, although they really did make it lamer in Season 3.

Smallville – this song is best sung by James and myself in the highest pitch possible.

Smallville Theme
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It’s Not TV, It’s HBO
Remember when HBO used to just air movies, and not amazing series with fantastic theme songs?

The Sopranos – how else can you make a drive through New Jersey seem cool?

True Blood – everything about this show is cool, especially the way it starts.

Kid Friendly Fare:
Shows for kids need to have an amazing theme song to hook the kids in – it’s just good marketing.

The Muppets – no one from our generation does not have this song memorized.

Spongebob Square Pants – a true modern sing-a-long classic.

Teenage Mutant Ninja Turtles – They’re heroes in a half shell… and they’re green!

Lyric-less
Sometimes, a great theme doesn’t need any (or just a few) words in order to be super catchy.

The Simpsons – universally know because of the show’s popularity, but a great theme in its own right.

30 Rock – a great tune that lets you know you’re in store for hilarity.

The Office – this was Courtney’s ring tone for a while, and it never got old.

A bunch of my favorite TV shows have been renewed for new seasons – here is a quick round-up.  (Yes, some of these are old, but so what?)

Fringe was just given the go-ahead for a third season, which is fantastic news.  The show’s ratings have been down thanks to its hyper-competitive timeslot, but the stories this season have been phenomenal, and the show is really coming into its own.  If you’re not watching it, you should be!

Smallville, which has seen every season since #7 potentially be its last, has gotten a pick-up to continue for a Season Ten.  As a fan of the show, I have been hoping for years that it would come to an end; it’s not that I don’t love it, I just think that based on the concept of the show – Clark Kent growing into the hero he will be – needs to eventually come to its logical conclusion.  For years, the show seemed to be dragging its feet, but no more.  The show still has its issues, but it has proven that it still has legs, and I am excited that they will continue for another year.  I still stand by my assertion that the show does need to come to a satisfactory conclusion, and that the showrunners should negotiate an end that will leave them and the fans happy.

NBC picked up the three Thursday night shows we watch, The Office, 30 Rock, and Community, for additional seasons.  Similarly to Smallville, The Office, as much as I love it, needs to end at some point as well.  What on earth is this documentary crew still doing in Scranton?  Are they *ever* going to take all of this footage and make it into something?  Or are we supposed to now think that the cameras are there as an ongoing reality series?  Has that ever been established?  I still like the show, and I’ll keep watching it, it just seems like it’s gotten a little too silly for its own good.

Community is also pretty funny, and while I can’t see it staying on the air forever (community college is only for two years, right?), another season is good news.  And 30 Rock is pure brilliance, and they need to keep that show going as long as they can keep Alec Baldwin on it.

How I Met Your Mother got a green-light for a sixth season, which is also great news, but once again, the show is going to need to come to an end based on the premise of the series.  Eventually, Ted’s gonna have to meet the Mother, and all of the story lines will have to pay off.

Big Love was given an order for a fifth season, which isn’t terribly surprising given that the show pulls in pretty solid numbers for HBO.  This season seems to be moving at a breakneck pace, which is a nice change from a lot of the other scripted shows on the air that seem to plod along.

And for what it’s worth, here is my official opinion on these shows that are still “on the bubble:”

24 – I could go either way on this one.  The show is still entertaining, but the formula has gotten a bit stale.

Heroes – Yeah, I have stuck with this show despite swearing off it several times.  I didn’t finish this past season, but now with the last few episodes on FiOS’ On Demand, I am planning on it.  The show is also past its prime, so I wouldn’t be heartbroken if it went off.

Scrubs – They never should have brought Scrubs back from the dead after last season, but to cancel it now would just be extra insulting.

V and FlashForward – Both of these shows have potential to live for a few seasons, if the writing can stay strong.  I personally have a little more faith in V, but I’m looking forward to seeing how both shows play out their seasons.

Way to go, Jim and Pam, and congratulations on the birth of your daughter, Cecilia Marie Halpert!

OK, so the Halperts are fictional, so the birth of their child is less exciting than, say, Eli’s birth. But I thought as a new parent, I could provide a commentary on what was realistic and what was unrealistic about how Cecilia came into the world. (Spoiler alert, I guess.)

Realistic:

• Jim and Pam were petrified, acting irrationally, and frazzled
• Everyone outside of the labor room is really eager to know *exactly* when the baby will be born
• Watching a woman give birth does make you want to clean out your eyes
• Breastfeeding is not easy, and it doesn’t always just happen
• You think the people in the hospital are going to make sure your baby seat is installed correctly, but they really don’t give a crap

Unrealistic:

• Pam would have needed more than one change of pants after her water broke
• As crazy as most of the workers in this office are, there is no way that so many people would not be urging Pam to go to the hospital when she is clearly in “real” labor – relatively sane characters Oscar and Toby, I’m looking at you!
• You can’t just waltz right into a birthing room – nor should you be able to
• The nurses came into the room mere moments after the call button was pressed
• No new mom could sleep through a baby crying in their room – especially if it’s their baby

Overall, I thought the show was a little too cartoony, with Michael parking the car in an ambulance zone and throwing away the keys and with Dwight destroying the Halpert kitchen (and Jim and Pam’s subsequent lack of a reaction).  Pam breastfeeding the wrong baby was totally predictable, as was as Jim’s reaction to the male lactation consultant.  I don’t know, I hate to jump on the whole “The Office has jumped teh shark!!!” bandwagon (misspelling intentional), but I just feel like the show is at its best when things are believably awkward, not so outrageous that you can’t imagine anyone ever doing anything that ridiculous.  The show’s best moments were little things like Ryan claiming he’s single as Kelly grabs hold of him, or when Michael was surprised to see Pam’s mother at the hospital after her granddaughter was born.

Oh, and one last gripe – Christ-fearing Angela, who told Pam that her baby was still a bastard because it was conceived out of wedlock, is willing to have her own illegitimate child with Dwight?  Huh?

Every December, a ton of “Best of the Year” lists pop up everywhere, and they can get old pretty quick, but I’m digging the “Best of the Decade” lists that I’ve been seeing lately. So I figured I’d jump on that particular bandwagon, and so I now present my list of some of the best pop culture trends of the past ten years.

Funny Music from Artists Besides Weird Al
Don’t get me wrong – my obsession with Weird Al Yankovic, the king of parodies and musical comedy, is still strong as ever. And he had a great decade in his own right, with the fantastic albums Poodle Hat and Straight Outta Lynwood, as well as his several Internet Leaks songs and videos. But he also had some competition in the funny music department. Tenacious D’s first album is side-splittingly funny. Though the movie and its soundtrack were less hilarious than they could have been, the genius of their first batch of songs more than makes up for it.

Then there’s Andy Samberg and his Lonely Island crew. The videos for Lazy Sunday, D*ck in a Box, I’m On a Boat, and others are brilliant in their lyrics and their visuals, and the digital shorts have been some of the best stuff on Saturday Night Live in recent years.

And who could forget the brilliance of Flight of the Conchords? Their two seasons on HBO, their two albums, and their EP were full of catchy, quotable, fantastic, and hysterical songs. I cried a little bit (on the inside) when I heard the show was officially done. Hopefully they’ll keep putting out music into the next decade.

The Renaissance of the Serialized Drama
The aughts may be remembered as the decade when hour-long, serialized dramas came back with a major vengeance. The best of the bunch has to be Lost – a show that not only blows your mind every week, but it has you obsessing in between episodes, talking over theories and trying to guess what it all means. The season 1 and 3 finales are two of my personal favorites in a standout series.

While the writing may not be as strong at 24 as it is on Lost, it’s still an extremely entertaining show, and it’s made Jack Bauer an instant kick ass pop icon. Sure, it’s cheesy when he screams “Dammit, we’re running out of time!” yet again, but it’s hard to resist the show’s real-time Die Hard feel. Then there’s Smallville, which has gotten much better at telling long stories over multiple episodes instead of just relying on freak-of-the-week episodes. And Fringe straddles the line of stand alone episodes with a greater mythology, and so far has been doing a great job of both. I also have high hopes for FlashForward and V, but it will remain to be seen how well those shows pay off long arcs, but they’re both off to good starts.

Even when theses kinds of shows haven’t worked all that well (Dollhouse, Terminator, Heroes) or when they were good concepts that were canceled too soon (Eli Stone), it’s still good that network executives are giving their audience some credit, understanding that we have patience, and can appreciate the kind of story-telling where everything isn’t all wrapped up in a tidy package in 42 minutes.

There is a great, albeit very long article about this topic at GQ.com with the guys from Bad Robot – I recommend it if you have a half-hour to kill.

Sit-coms Are Amazing Again!
It wasn’t just hour-long dramas that rocked the decade; the sit-com was reintroduced as a medium of clever comedies, and not just full of pratfalls and one-dimensional characters. Arrested Development was able to use bad puns, sight gags, kissing cousins, and The Final Countdown to great effect for powerful belly laughs. The British version of The Office gave us an amazing new brand of painful and awkward humor that would live on in the American series, as well as Ricky Gervais’ show Extras. 30 Rock is written so brilliantly and the jokes come so fast I find myself having to constantly rewind back to listen to jokes again. How I Met Your Mother gave a new twist to the story of urban singles looking for love. And we got 8 great years of Scrubs – even if Season 9 leaves a little to be desired.

The Superhero Is Cool Again
It seems like ages ago, but there was a time in the not-so-distant past that superhero movies weren’t really anything to get that excited about. Then in a single decade, we got four fantastic films in the genre: Superman Returns, Batman Begins, The Dark Knight, and Iron Man. (I know I’m going to get mocked for making those the ones I single out… but I just can’t get behind Spider-man. I tried, really, I did. And I enjoyed X-Men and X2, but I don’t know if they were amazing.) Too often, superhero movies were considered formulaic drivel, and could be released, hated, and forgotten about quickly. But the aughts made them not only bankable hits, but films that both nerds and critics agreed were actually good. I’ve defended Superman Returns so many times I’ve lost count, so I’ll just make this quick – it had its fans, and its share of people who hated it, but I loved it, so it goes on *MY* list, OK? The rebooted Batman films were also incredible, and they made that world so dark and believable it’s hard to not be foaming at the mouth for more sequels. And even though I knew nothing about Iron Man, I thoroughly enjoyed that film as well. Sure there have been some bad superhero movies in the past ten years, but the good ones were so great, it almost doesn’t matter.

The Apatow Movie Method
If some strange pop culture villain put a gun to my head and demanded I name the funniest movie of the past ten years, it’s a safe bet that I’d answer Superbad. I was laughing out loud a lot when we first saw that flick, and every time I’ve watched it since, I have the same reaction. That’s impressive considering I know the jokes that are coming. I also feel similarly about Forgetting Sarah Marshall, Knocked Up, and The 40-Year Old Virgin. And Anchorman and Talladega Nights and Walk Hard and any movie that had Apatow’s name attached to was guaranteed to be at least funnier than your average comedy. Of course, Judd himself didn’t always have much to do with every all of the above movies, but his influence can be felt in them – and others where he had no involvement whatsoever, like I Love You, Man; there are outrageous moments, painful moments, and things that are ridiculous enough to make you laugh so hard your stomach hurts, but they still keep themselves grounded in such a way that you buy what’s happening. Movie comedies will probably continue to evolve, but these movies will always make me laugh.

The Pixar Streak
So much has already been said about the brilliance of the Pixar movies, but here it goes anyway: The folks at Pixar are geniuses, and each and every one of their flicks have been funny, beautiful to watch, and full of great characters and stories. Two of the greatest films of the decade in my humble opinion are WALL·E and Up, neither of which sounded like a home-run concept, but were both executed flawlessly. Sure there are other companies doing similar kinds of animation, but those movies always just fail to impress me with their stories, and often times they are so full of timely references that the jokes will be out dated in a few years. Courtney and I have been watching a DVR’d collection of Pixar shorts, and even the company’s short films are crafted with amazing precision and humor. I sure hope my kids love these movies, because I know I’ll enjoy watching them too.

Nintendo Changes Video Gaming
I’m a Nintendo fanboy – always have been, always will be. And I loved the GameCube and the Game Boy Advance. But what Nintendo pulled off with the Wii and the Nintendo DS is truly incredible. Video-gaming is no longer just associated with nerds playing alone in dark basements – it’s now something that the whole family can do together, something that parents don’t dread if their kids want to do, and it’s even something that women actually enjoy. (And are not just pretending to enjoy for the sake of their boyfriends or husbands.) Wii Sports isn’t my favorite game personally, but I love watching people who have never held a game controller pick it up and play with ease. Wii Fit is a really fun way to exercise at home. The latest iterations of the classic franchises have all been fantastic: The Legend of Zelda: Twilight Princess, Super Paper Mario, Mario Kart Wii, Super Mario Galaxy, and New Super Mario Bros. Wii are all incredible games, as are their counterparts on the DS. (I just beat the first dungeon in The Legend of Zelda: Spirit Tracks this morning – it’s really fun so far!)

Sure Nintendo has room for improvement – better online capability, HD graphics, etc. But the fact of the matter is what they are doing now works, and it works well, and it works well for a huge chunk of the population.

Better, Clearer, Faster
High definition television. DVR. Portable players that let us watch movies, TV shows, and carry tons of music and photos, too. It’s pretty amazing that when we started this decade, those things weren’t common, and now it’s hard to imagine life without them. It sounds like a sweeping statement, but it isn’t, really. Try to go through a week without using your DVR. Or switch back to a standard definition TV. You’ll be going out of your mind in a week. What are you going to do, record your favorite shows with a VCR? Seriously.

And remember when you had to carry a discman with you to listen to music on the go? You looked strange wearing headphones, and you could only listen to one album at a time! Now you can carry thousands of songs in your cell phone.

And remember dial-up? When it would take a half hour to load a 30 second video clip? Now you can watch entire episodes of TV shows or whole movies on your laptop – or even on your TV – that load in seconds.

It’s hard to imagine so much has happened in ten years, and it’s even crazier that in December 2019, we’ll be looking back at all of this stuff as quaint and old-fashioned.

Everyone who watches The Office knows about “That’s what she said” – it’s only the funniest catch phrase around right now. If you don’t know it, here’s the quick explanation: Someone says something that could be construed as an innuendo, and Michael Scott jumps in by saying “That’s what she said.” Get it? Good.

So the other night while out for a delicious BBQ dinner with my family, somehow this expression came up in conversation. Courtney and I explained it to my mom, who for some reason doesn’t watch The Office. Anyway, some time passed, and Chuck commented how tasty his sausage was. (To clarify, he was referring to the BBQ sausage he had ordered, which was in fact rather good.)

Upon hearing this, my well-intentioned mother decided to use this new knowledge to try to make a funny, so she blurted out:

“She said that too.”

Courtney and I looked at each other, not having the faintest clue what she meant, until we figured out what she was trying to say.

“That’s what she said” – you’ve been officially Mom-ified. And I do hereby decree that henceforth, “She said that too” is the new “hip” way to make the joke. Hip to the seven people who read this blog, anyway.

Super fast recap of the non-Lost season finales of the year:

Smallville – Super disappointing battle between Clark and Doomsday. They built up all season for 1 minute of a fight? And Jimmy Olsen wasn’t thew real Jimmy Olsen? Lame. And Chloe didn’t know that her husband had a brother? And she didn’t even try to use her healing power on him? Lame lame double lame.

24 – Tony was sort of kind of a little bit redeemed – he did have somewhat of a motivation for his actions, although he was willing to go to some awful extremes. And Kim in trouble was a tired way to end the season – there was way too much talking and not enough action in a finale where we knew Jack wasn’t going to die.

Fringe – A great end to a great first year. I really think this was one of my favorite new shows of the past season. The twists about Peter and where William Bell holds his alternate-universe meetings were great moments.

The Office – The best moment of the show was Dwight stalling for Pam and Jim. How many people have to get hurt before we do something? One? Two? Three? … FOUR?

Scrubs – What a great way to end the series, except that they’re not really ending the series. On the one hand I’m happy to have more Scrubs, but they did such an amazing job tying everything up, it could feel like overkill. And how wil they top the next series finale they have to do?

Another TV season has come and gone… Now I can begin a summer of watching baseball!

Hey, I was moved by the Kim-Jack reunion.  I mean, I saw it coming that she would come back and give him a transfusion or something to save him, but it was still an emotional scene.  The guy has one big weakness, and that’s his daughter.  This time out she didn’t look her best, but at least she was not being threatened by a menacing cougar!  And what the hell is up with Tony?  I do not get that twist at all – is he just trying to blackmail his way out of jail time?

On to Lost – I loved the past two episodes.  Ben’s run-in with Smokey was great, and I just loved the way he was lying for what appeared to be no reason.  The man might just be pathologically insane.  I was pretty chocked that he didn’t end up killing Penny – I did think she was a goner – but I’m glad Desmond was able to save his wife.  And I of course loved all of the Hurley-Miles stuff this week, especially the Star Wars references.  Although Hurley did get some of his Empire chronology wrong: Vader told Luke he was his father AFTER he sliced off Luke’s hand.  Jeez, Hurley, get your facts straight!  And who were those guys in the van?  I’m thinking they aren’t with Ben or Widmore – they’re some mysterious third faction, and THEY are the ones who faked the 815 wreckage.  Only a few episodes left!

Their season ended a while back, but Flight of the Conchords had another brilliant season, and I really, truly hope they come back for a third year.

South Park’s been a bit hit-or-miss this season, but I’m loving the great Randy moments.  Every time he says “Hey… hey Sharon,” it just cracks me up.  And the moment a few weeks ago where, after Kyle saves the economy and all of the credit goes to Obama? Well, that was pure brilliance.

And The Office has been as great as ever, and though at first I was hoping to see Michael, Pam, and Ryan rejoin Dunder-Mifflin, now I’m loving their side antics too much to care.  Oh, and this may be harsh, but after reading in Entertainment Weekly, the Times, and online how Parks & Recreation was going to be totally different from The Office, all I could see in two episodes was an Office clone, with one key difference – The Office is funny.  NBC let Scrubs go for this?  Oh, and the two-parter of Scrubs in the Bahamas?  Hysterical.